盲目的丈夫们

Two differences between this Austrian version and the generally available American version are immediately obvious they differ both in their length and in the language of the inter Two differences between this Austrian version and the generally available American version are immediately obvious they differ both in their length and in the language of the intertitles. The American version is only 1,883 metres long - at 18 frames per second a difference of some 7 minutes to the Austrian version with 2,045 metres. Whereas we originally presumed only a negligible difference, resulting from the varying length of the intertitles, a direct comparison has nevertheless shown that the Austrian version differs from the American version both in the montage and in the duration of individual scenes. Yet how could it happen that the later regional distribution of a canonical US silent film was longer than the original version　　The prevalent American version of Blind Husbands does not correspond to the version shown at the premiere of 1919. This little-known fact was already published by Richard Koszarski in 1983. The film was re-released by Universal Pictures in 1924, in a version that was 1,365 feet (416 metres) shorter. At 18 frames per second, this amounts to a time difference of 20 minutes! Titles were altered, snippets of action removed and at least one major scene taken out entirely, where von Steuben and Margaret visit a small local chapel. (Koszarski)　　From the present state of research we can assume that all the known American copies of the film derive from this shortened re-release version, a copy of which Universal donated to the Museum of Modern Art in 1941. According to Koszarski the original negative of the film was destroyed sometime between 1956 and 1961 and has therefore been irretrievably lost. This information casts an interesting light on the Austrian version, which can be dated to the period between the summer of 1921 and the winter of 1922. Furthermore, the copy is some 200 metres longer than the US version of 1924. If one follows the details given by Richard Koszarski and Arthur Lennig, this means that, as far as both its date and its length are concerned, the Austrian version lies almost exactly in the middle between the (lost) version shown at the premiere and the re-released one.A large part of the additional length of the film can be traced to cuts that were made to the 1924 version in almost every shot. Koszarski describes how the beginning and the end of scenes were trimmed, in order to speed up the film. However, more exciting was the discovery that the Austrian version contains shots that are missing in the American one - shotscountershots, intertitles - and furthermore shows differences in its montage (i.e. the placing of the individual shots within a sequence). All this indicates that Die Rache der Berge constitutes the oldest and most completely preserved material of the film. 详情

• HD

  替身纸人2

  何雨宸,任子豪,单明凯,刘硕,田锋,张雨桐

• HD

  一句顶一万句2016

  毛孩,李倩,刘蓓,范伟,孙茜,

• HD中字

  何日君再来1991

  梁家辉,梅艳芳,吴家丽,徐少强,国村隼,曾江,赤井英和,青山知可子,邓萃雯

• HD

  僵尸少爷1986

  董骠,林秀君,小奇奇

• HD中字

  今夜星光灿烂1980

  李秀明,唐国强,赵福余,宝珣

• HD中字

  万箭穿心2012

  颜丙燕,陈刚,焦刚,李现,赵倩,王沫溪,杨鸣秋,何明兰,刘善良,黄首霞,孙仲江,张瑞田,余龙钢

• HD高清

  红孩儿1975

  张传丽,刘中群,江岛,丁华宠

• 正片

  气球

  索朗旺姆,金巴,杨秀措

• 正片

  罪人

  杰克·吉伦哈尔,伊桑·霍克,丽莉·吉欧,彼得·萨斯加德,保罗·达诺,克里斯蒂娜·怀道尔,伊莱·格里,达明·乔伊·伦道夫,大卫·卡斯塔尼达,阿德里安·马丁斯,贝基·吴,博·纳普,艾迪·帕特森,吉莲·珍塞尔,T.J.若托罗,比尔·伯尔,迪伦·兰恩,玛琳娜·福特,Bret,Eric,Porter,Christiana,Montoya,Maurice,Webster,Oscar,Balderrama

• 正片

  信笺故事

  劳拉·邓恩,约翰·赫德,伊丽莎白·德比茨基,科曼,艾伦·伯斯汀,弗兰西丝·康罗伊,杰森·雷特,劳拉·爱伦,伊莎贝尔·内利瑟,伊莎贝拉·阿玛拉,切尔西·阿尔登,马修·劳奇,贾克琳·弗莱明,蒂娜·帕克,乔迪·朗,诺亚·罗麦克斯,艾米莉·桑迪弗,斯科特·武田,索姆·毕绍普斯

• 正片

  黑色少年

  安智浩,安内相,尹宥善

• 第12集

  第六感

  布鲁斯·威利斯,海利·乔·奥斯蒙,托妮·科莱特,奥莉维亚·威廉姆斯,唐尼·沃尔伯格,特拉沃·摩根,彼得·安东尼·唐伯蒂斯,格伦·菲茨杰拉德,米莎·巴顿,Lisa Summerour,法尔德斯·巴姆,杰弗里·泽布尼斯